Leah Crocetto, Soprano

Photo by Rebecca Faye

Described by the New York Times as possessing an “agile coloratura technique and a feeling for the Italianate style… with warmth, full penetrating sound and tenderness,” American soprano Leah Crocetto continues to astonish audiences with her moving portrayals of opera’s greatest heroines.

Ms. Crocetto begins the 2020/21 season singing Anna from Rossini’s Maometto II at Washington Concert Opera. In the spring, she will make her highly anticipated house debut at Dallas Opera as Elisabetta in Verdi’s Don Carlo. Ms. Crocetto will also lead multiple teaching residencies in the 2020/21 season: at the University of Texas – Austin, Siena Heights University, Potomac Vocal Institute, and at Washington National Opera.

In the 2019/20 season, Ms. Crocetto returned to Washington National Opera as Desdemona in Otello, followed by performances as Liù in Turandot with Palm Beach Opera and Verdi’s Requiem with the Philadelphia Orchestra. The following engagements were

unfortunately canceled due to the global pandemic, including the title role of Norma at Pittsburgh Opera and Aida with Opera Australia.

In 2018/19, Ms. Crocetto was Norma in concert with North Carolina Opera, followed by her solo recital debut at Carnegie Hall with pianist Mark Markham. With Seattle Opera, she performed the role of Leonora in Il trovatore and debuted with the Melbourne Symphony as the soprano soloist in Verdi’s Requiem. On the concert stage, she performed the Soprano II role in Mahler’s Symphony No. 8 “Symphony of a Thousand,” first with the Los Angeles Philharmonic and Gustavo Dudamel, and subsequently with the Chicago Symphony Orchestra at the Ravinia Festival under Marin Alsop.

Very much at home in the Italian operatic repertoire of Verdi and Puccini, Leah Crocetto made her European debut as Leonora in Il trovatore with Opéra National de Bordeaux, followed by debuts at the Arena di Verona and North Carolina Opera. She sang her first performances in Venice as Desdemona in Otello at Teatro la Fenice. She reprised the role with the company on their tour of Japan, as well as with Frankfurt Opera for her company debut. She has debuted with the Israeli Opera as Luisa Miller, as Suor Angelica, and Liù in Turandot for San Francisco Opera, and sang her first performances as Anna in Rossini’s Maometto II with The Santa Fe Opera, in a new production by David Alden.

On the concert stage, Ms. Crocetto has sung Verdi’s Requiem with Riccardo Muti and the Chicago Symphony Orchestra, with the Los Angeles Philharmonic under Gustavo Dudamel, and also with the Calgary Philharmonic, the Columbus Symphony, and Albany Symphony. She sang Beethoven’s Symphony No. 9 with Rafael Frühbeck de Burgos and the Los Angeles Philharmonic at The Hollywood Bowl, Pergolesi’s Stabat Mater in concert with San Francisco Opera and Nicola Luisotti, and Mahler’s Symphony No. 2 “Resurrection” at the Grand Tetons Music Festival with Donald Runnicles. She returned to her hometown for a gala concert of opera and musical theatre with the Adrian Symphony Orchestra and was featured in a gala opera concert with the Toronto Symphony. She was presented in a Schwabacher Recital for the San Francisco Opera and sang Handel’s Messiah in Anchorage.

Career highlights include her title role debut as Aida, the title role of  Luisa Miller, Liù in Turandot and Mimì in La bohème with San Francisco Opera; Aïda and Madame Lidoine in Poulenc’s Dialogues of the Carmelites with Washington National Opera; Aida with Seattle Opera; her debut as Alice Ford in Falstaff and Leonora in Il trovatore with Oper Frankfurt; her role and house debut as Mimì in La bohème and Tosca with Pittsburgh Opera; her role debut as Eleonora in the first US performances of Donizetti’s L’assedio di Calais with the Glimmerglass Festival; Desdemona in Otello and her role debut as the titular character in Rossini’s Semiramide with Opera National de Bordeaux; Anna in Maometto II with the Canadian Opera Company; Donna Anna in Don Giovanni with Santa Fe Opera; Desdemona in Otello with English National Opera; and Elisabetta di Valois in a new production of Don Carlo with Opera Philadelphia.

Further highlights from the concert stage include Verdi’s magnificent Requiem and Handel’s Messiah with the National Symphony; Verdi’s Requiem with the NTR Symphony, San Francisco Opera, and the Radio Orchestra of Saarbrücken, Germany; a concert of sacred pieces by Verdi with Orchestre National de France under the direction of Daniele Gatti; a solo recital with pianist Mark Markham at the John F. Kennedy Center; her New York City recital debut at Pace University with pianist Martin Katz; Bachianas Brasileiras No. 5 with the Chamber Music Society of Lincoln Center at Alice Tully Hall; and recitals in Ann Arbor and her hometown of Adrian, Michigan.